Preview of some comics in the works!
After months of my nagging, my dad finally decided to take me to “Da Home of Da Master” a.k.a. his pal Roger’s house/makeshift-print-studio to learn the sacred and ancient art of Screenprinting Like a BOSS. We basically got the 411 on old-skool printmaking. It’s safe to say that I now have another bullet on my list of favorite things to do.
We couldn’t stay at Roger’s for very long so I only got to print one design, but I’m beaming nonetheless because the finished print looks fantastic! If I do say so myself!
This design, which I shall hereby call “Forest Magic” for lack of a better name (ideas, anyone?), is basically a compilation of my doodles that I put together on Photoshop like 15 minutes before the actual printing process. I couldn’t take any pictures because we had to work in the dark, but I did get to bring home the materials we used.
Two separate silk screens for a 2-color print.
What you do with a screen is lay it face up on your substrate (that’s the fancy word for the surface you are printing on), and spread textile paint over the silk net thingy like peanut butter with this fabulous doodad known as a Squeegee. Greatest word ever, I know. Now go ahead and say it 5 times.
Pop suggested taking a picture of these outside on the pathway to our house ‘cause the sun was out and Harlow the Cat was begging to play model for the day.
As of now it’s in a state of lonely canvas sheet sitting on top of my desk day after day and I really ought to sew it into a bag or something, but I’m really looking forward to printing more designs and hopefully including some process shots next time!
This blog turned a year old last month and I didn’t even notice! Whipped up a brand new layout to mark the occasion, complete with tag buttons and an About page because I am a pompous ass. Whatcha think?
The School of Visual Arts’ spanking, brand new 2013-2014 Catalog arrived from The Big Apple today! Literally just found it on my desk. Here are some snaps I took of it to show you what a purty little thing it is.
I’ve considered SVA to be one of my DREAM schools for the longest time, and in fact, so has my dad (ever since the 80s when he was but a lowly young fine arts major) - can’t wait to see the look on his face when I show this to him
Though it does contain a more than substantial amount of info, the book’s got more pictures than text, which I think really goes to show how much they live up to their reputation as the place to be to flourish as far as the aesthetic eye is concerned
It even comes with a complete set of application forms, which totally would’ve been a reason for me to type “SCORE!” down as a caption on this post, but sadly they’re no use to me - the only possibility of me going to a good art school is through getting a scholarship, and unfortunately SVA doesn’t offer grants to International applicants. Insert heavy sigh here.
But ordering this catalog wasn’t all in vain! It’s nice to have at least a little part of a lost dream. Besides, the art in it definitely makes for an excellent coffee table book.
As a prelude to the TON of new things I’ve worked on these past 3 weeks, and to make up for nearly a month without posting anything, here is Theresa Wayman in quick-doodle form.
With term exams and my Ateneo entrance test looming ahead, it looks like it’ll be a while before I manage to get back to my old Tumblr habit, but hopefully you all stick around long enough to see the new projects I’ve got in store!
Anonymous said: do you trace all of your drawings with your drawing tablet? if so, how do you (a) trace so perfectly; (b) make the strokes looks like their grainy natural pencil lines! @_@
I follow a strict No-Tracing policy! I’ve tried before but then I realized that I was only cheating my way out of getting better! As for my grainy strokes - do you have a particular drawing in mind? Most if not all the illustrations I’ve posted here were drawn traditionally on paper, then scanned and colored digitally. Although when I do draw straight into my computer via Wacom tablet, I like to tweak my brush settings on Photoshop to get good, realistic textures. I suggest Googling tutorials by illustrators on how to DIY, but you can also download pre-tweaked brushes. There are tons!
Phase 2, less creepy if not entirely not-creepy? Prolly had a little too much fun with the black ink but what can we doooo (Taken with Instagram)